The painting needed a more elaborated and complex technology that the simple outline of a stone They used natural colourings of yellow, red tones, ocres and black, with all his ranges and tones. In the Neolithic the white was added. The colourings were coming from oxides of iron and manganese, from lands and charcoals, red ochre, hematíes, limonita, kaolin, etc, diluted in blood, resins of trees, animal fats and vegetable juices.They used to paint in caves and shelters, only some special persons could paint,the chamans or simillar people
SECOND QUESTION
THIRD QUESTION
FORTH QUESTION
LASCAUXS
With the advent of the Upper Paleolithic period (from 40,000 BCE) coinciding with the replacement of Neanderthal Man with "modern" versions of Homo sapiens, prehistoric art takes a massive leap forward, as exemplified by the cave painting of western Europe, a medium that reached its apogee in the caves of Lascaux
ALTAMIRA
Altamira is a cave in Cantabria (Spain) famous for its upper paleolithic cave paintings featuring drawings and polychrome rock paintings of wild mammals and human hands.
Its special relevance comes from the fact that it was the first cave in which prehistoric cave paintings were discovered. When the discovery was first made public in 1880, it led to a bitter public controversy between experts which continued into the early 20th century
FIFTH QUESTION
They used natural colourings of yellow, red tones, ocres and black, with all his ranges and tones. In the Neolithic the white was added. The colourings were coming from oxides of iron and manganese, from lands and charcoals, red ochre, hematíes, limonita, kaolin, etc, diluted in blood, resins of trees, animal fats and vegetable juices.
sixth question
they used paintures for teaching others haw to hunt or to tell stories to each other, of course it had a religious purpose because only special people as chamans or simillar people could paint,yes they did because they teached others by paintings
